High–Pop: Making Culture into Popular Entertainment

List of Illustrations.
<p>List of Contributors.</p>
<p>Acknowledgments.</p>
<p>High–Pop: An Introduction: Jim Collins (University of Notre Dame).</p>
<p>1. "Expecting Rain": Opera as Popular Culture? John Storey (Centre for Research in Media and Cultural Studies, University of Sunderland).</p>
<p>2. Signature and Brand: John Frow (University of Edinburgh).</p>
<p>3. From Brahmin Julia to Working–Class Emeril: The Evolution of Television Cooking: Toby Miller (Tisch School of Fine Arts, NYU).</p>
<p>4. "Tan"talizing Others: Multicultural Anxiety and the New Orientalism: Kim Middleton Meyer (University of Notre Dame, Doctoral Candidate).</p>
<p>5. Class Rites in the Age of the Blockbuster: Alan Wallach (College of William and Mary).</p>
<p>6. Museums and Department Stores: Close Encounters: Carol Duncan (Ramapo College).</p>
<p>7. Which Shakespeare to Love? Film, Fidelity, and the Performance of Literature: Tim Corrigan (Temple University).</p>
<p>8. No (Popular) Place Like Home? Jim Collins (University of Notre Dame).</p>
<p>9. Style and the Perfection of Things: Celia Lury (Goldsmiths College, University of London).</p>
<p>Index.</p>